Jasna Vinovrški: Lady Justice
With witnesses, evidence and judgement – is a dance performance a bit of a trial?
Ligia Lewis: Minor Matter
Black matters in Minor Matter, a powerful encounter with the myriad concepts of blackness
‘We are dancers, we create the dreams.’ Albert Einstein
How to like dance
Audience clubs are on the increase - why? Luke Forbes on his experience of a new workshop in Melbourne
The wilderness within
What happens when dance takes nature as its stage? A festival in the northernmost town in the world leads to a changed sense of self, culture and existence
Christos Papadopoulos’s Opus: in search of the dialectics of music and movement
A textual exploration of a performative exploration in sound, meaning and time
Mònica Pagès watches Likes by Nùria Guiu
Classical music journalist Mònica Pagès sees a solo about the value of ‘likes’ in an age of social media. How was it for her?
The naked stage of Sanna Kekäläinen
Riikka Laakso on Finnish choreographer Sanna Kekäläinen, and the subversions and inversions of her 2017 piece Whorescope
Mette Ingvartsen: 21 pornographies
Assuming the position is at the heart of this physical exploration of erotica
Vero Cendoya: La Partida
Beautiful as dance can be, is it really any match for the beautiful game?
Meytal Blanaru at work
Brussels-based Israeli choreographer Meytal Blanaru on the workings behind her work
Arkadi Zaides: TALOS
Arkadi Zaides' detatched demonstration of surveillance, digital simulation and border infringements
Hodworks’ Sunday begs the question: in the age of the selfie, what separates the person and the persona?