Ingrid Berger Myhre and Lasse Passage playfully examine the relationships between dance and music, using scores as tools to uphold structure over skill, method over indulgence. The title of their duet alludes to the contrast between the wet and the dry: Panflutes, on the one hand, are playful and passionate, Paperwork, on the other, refers to notation and sounds bureaucratic. The tensions between these states play well with tired conventions in the famous choreographer-composer constellation.
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