Stephen Chow’s 2004 martial arts comedy masterpiece Kung Fu Hustle is packed to the teeth with references. Several members of the cast are well-known actors from 1970s Hong Kong action films. Twice, Chow references his earlier film Shaolin Soccer. And the film’s original score, by Raymond Wong, is inspired by traditional Chinese music used in 1940s swordplay/wuxia films – though the iconic opening track, ‘Nothing Ventured, Nothing Gained’, draws on the gangster film noir tradition of moody brass.
‘Nothing Ventured, Nothing Gained’ introduces Kwok-Kwan Chan as Brother Sum, leader of the notorious Axe Gang. Moments before the song starts, we watch Brother Sum brutally slay the leader of a rival gang in front of a police station – revealing that the Axe Gang have paid off the cops, and insinuating that no law-abiding citizen is safe from their wicked machinations.
What makes this killing especially startling is Brother Sum’s psychotic, almost gleeful approach to the murder. His rival is felled by a thrown axe to the knee, severing the leg. Brother Sum is handed an axe by an off-screen henchman, and begins to sashay towards the luckless, legless gangster. But the music he is cavorting to is ‘Nothing Ventured, Nothing Gained’ – audible only to the audience, and to the crazed axe-killer.
This does two things. First, it places Brother Sum outside the realm of even this film’s wacky, cartoonish world; he is propelled by a force beyond the reach of the other characters to plummet to unimaginably evil depths. But it also emphasises the level of choreography a martial arts film requires: the attention to detail of movement and respect for its lineage necessary for the film’s achievement.
And so, having set up the antagonist so succinctly, Chow moves to the operating practices of the Axe Gang themselves.
