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Springback texts

Blue Quote Mark
3 men in Timothy and the Things in László Fülöp’s choreography Hunting

review

Timothy and the Things: Hunting (Vadászat)

By Anna Dohy | 06.06.18

Three men hunting – but for what, for whom, and why? Anna Dohy looks to the wider stage for answers

Time Icon Pink   2 min
Jasna Vinovrški’s solo Lady Justice

review

Jasna Vinovrški: Lady Justice

By Jelena Mihelčić | 25.03.18

With witnesses, evidence and judgement – is a dance performance a bit of a trial?

Time Icon Pink   2 min
Red picture of Ligia Lewis's Minor Matters

review

Ligia Lewis: Minor Matter

By Louise Tanoto | 25.03.18

Black matters in Minor Matter, a powerful encounter with the myriad concepts of blackness

Time Icon Pink   2 min

article

How to like dance

By Luke Forbes | 25.03.18

Audience clubs are on the increase - why? Luke Forbes on his experience of a new workshop in Melbourne

Time Icon Pink   8 min
View of mountains and sea of Hammerfest, Norway

article

The wilderness within

By Sanjoy Roy | 25.03.18

What happens when dance takes nature as its stage? A festival in the northernmost town in the world leads to a changed sense of self, culture and existence

Time Icon Pink   8 min
Christos Papadopoulos Opus

translation

Christos Papadopoulos’s Opus: in search of the dialectics of music and movement

By Anastasios Koukoutas | 25.03.18

A textual exploration of a performative exploration in sound, meaning and time

Time Icon Pink   6 min

article

The naked stage of Sanna Kekäläinen

By Riikka Laakso | 25.03.18

Riikka Laakso on Finnish choreographer Sanna Kekäläinen, and the subversions and inversions of her 2017 piece Whorescope

Time Icon Pink   10 min

review

Vero Cendoya: La Partida

By Clàudia Brufau | 25.03.18

Beautiful as dance can be, is it really any match for the beautiful game?

Time Icon Pink   2 min