The naked stage of Sanna Kekäläinen
Riikka Laakso on Finnish choreographer Sanna Kekäläinen, and the subversions and inversions of her 2017 piece Whorescope
Arkadi Zaides: TALOS
Arkadi Zaides' detatched demonstration of surveillance, digital simulation and border infringements
Hodworks’ Sunday begs the question: in the age of the selfie, what separates the person and the persona?