Click on the pink markers to see what we have published from that location.
Click on the blue markers to see where our contributors are based.
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Based in Athens
Based in Helsinki
Based in Berlin
Based in Rome
Based in Brussels
Based in Paris
Based in Vienna
Based in Barcelona
Based in London
Based in Bassano Del Grappa
Based in Porto
Based in Göteborg
Based in Zagreb
Based in Antwerpen
Based in Dublin
Based in Sofia
Based in Budapest
Based in Lisbon
Based in Lille
Based in Amsterdam
Based in Lyon
Based in Edinburgh
Based in Thessaloníki
Published from Budapest
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Hodworks: Sunday
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Timothy and the Things: Hunting (Vadászat)
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Pal Frenák: W_all / Rita Góbi: Snapdragons
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Trash aesthetic: Meet The Symptoms
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Hodworks & Unusual Symptoms: Coexist
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On and off the platform: dunaPart5, Hungary
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Domokos Kovács & Petra Nagy: Do not feed the polar bears
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Zsófia Tamara Vadas, Csaba Molnár, Imre Vass: Game Changer
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Adrienn Hód: Soft spot
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Baro d’evel: Là
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How to own (a) theatre
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Springback Assembly 2024: Budapest
Published from Brussels
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Arkadi Zaides: TALOS
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At work: Meytal Blanaru
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Mette Ingvartsen: 21 pornographies
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Ligia Lewis: Minor Matter
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Les Brigittines International Festival 2018
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At work: Bára Sigfúsdóttir
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Mårten Spångberg: 46
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Anne Teresa De Keersmaeker & Radouan Mriziga: 3ird5@w9rk
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Danser Brut – outsider dance
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Ultima Vez: Hands do not touch your precious Me
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Silvia Gribaudi: Monjour
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Mette Ingvartsen: The Dancing Public
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Interview: Mette Ingvartsen on The Dancing Public
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Windows on Brussels Dance, 2022
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Noé Soulier, Thea Djordjadze, Karl Naegelen: First Memory
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Alice Ripoll: Lavagem
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Nadia Beugré: L’Homme rare
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What makes a performance contemporary?
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Mei Chen, Yannis Brissot: Very Tiny Little Drop of Wax
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A bird’s-eye view at Kunstenfestivaldesarts 2023
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Out of the blues
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Jefta van Dinther: Unearth
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Ici Commence La Mer
Published from Helsinki
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The naked stage of Sanna Kekäläinen
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Helsinki’s Moving in November: pasts, pleasures, projections
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Ice Hot Nordic Dance: time to credit dance and controversy?
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Marianna Henriksson & Anna Mustonen: Eros
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Side Step Festival Helsinki
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From teenage girls’ songs to medieval saints’ torture at Moving in November, Helsinki
Published from Barcelona
Published from Athens
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Christos Papadopoulos’s Opus: in search of the dialectics of music and movement
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Katerina Andreou: BSTRD
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Caught in the act of seeing
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Sofia Mavragani: Afterwords
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New Choreographers Festival Athens
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Being together apart: the hollowing of the post-quarantine public
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The leap into the abyss and the need to heal again
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Moving Colors youth dance festival
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Dimitris Mytilinaios: Repair
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Onassis Dance Days 2024: The echo of bodies
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Euripides Laskaridis: Lapis Lazuli
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In defence of continuity: the Duncan Dance Research Center
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Athens Epidaurus Festival: a selection of styles by Greek dance artists
Published from Hammerfest
Published from Melbourne
Published from Århus
Published from Zagreb
Published from Glasgow
Published from Vienna
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Oona Doherty: Hope Hunt and the Ascension into Lazarus
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Bausch rebooted: Veza Fernández’s Wenn Auge Mund Wird
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[8:tension] at ImPulsTanz Vienna 2018
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Michikazu Matsune: All Together
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Imagetanz 2019
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Rakete Festival 2019: from Mama to Mother Earth
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Hack me tender: Mette Ingvartsen’s Red Pieces
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Six of their sex: female dancemakers at ImPulsTanz 2019
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New directions home? ImPulsTanz 2019
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Florentina Holzinger: TANZ, a sylphic reverie in stunts
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ImPulsTanz Vienna: one-sentence reviews
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A week at ImPulsTanz Vienna
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Ivo Dimchev: In Hell with Jesus
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Paths through ImPulsTanz, part 1
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Paths through ImPulsTanz, part 2
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Florentina Holzinger: Ophelia’s Got Talent
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ImPulsTanz 2023: past presence
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ImPulsTanz 2024 #1: dancers that touch you
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ImPulsTanz 2024 #2: shock and awe
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Xenia Koghilaki finds solidarity within brutality
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Hungry Sharks: Destination FCKD
Published from Sofia
Published from Berlin
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Potsdamer Tanztageor: 3 × 3 = 8
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Gisèle Vienne: Crowd
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Rosas: The Six Brandenburg Concertos
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Tanz im August talkabout #1: Inoah (Bruno Beltrão) and R. OSA (Silvia Gribaudi)
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Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
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Jefta van Dinther: The Quiet
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Queer Darlings 2019, Sophiensaele Berlin
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Oona Doherty: Hard to be Soft – A Belfast Prayer
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Gunilla Heilborn: The Wonderful and The Ordinary
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La Ribot / Dançando com a Diferença: Happy Island
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Moving audiences: the Montag Modus event series
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KDV Dance Ensemble: Las Casas Invisibles
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Unknown waters: Berlin’s Tanz im August after Covid
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Forward steps
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Faye Driscoll: Guided Choreography for the Living and the Dead
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Life sentences: on reviewing and renewing
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Teresa Vittucci, Michael Turinsky, Claire Vivianne Sobottke: We Bodies
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Isabelle Schad: Pieces and Elements / FUR
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Isabelle Schad: practice, continuity and infinite limbs
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Tanztage Berlin 2022: Hard times require hard dancing
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Elle Sofe Sara: Vástádus eana – The answer is land
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Maija Hirvanen: Mesh
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Nitsan Margaliot: Foresigns
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Queer Darlings 2023
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Eyes on Tanz im August 2023
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Tanztage Berlin 2024: rites of hope and grief
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Exploring the Tanz im August archipelago
Published from Paris
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Danse Élargie 2018: big opportunities, bigger ambition
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Jann Gallois: Samsara
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Adrien M & Claire B: Faire corps
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Wanjiru Kamuyu, An Immigrant’s Story; Smaïl Kanouté, Never Twenty One
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Lia Rodrigues, body and soul
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Danse Élargie: almost ridding dance of its borders
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Oona through the ages
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Richard Mascherin: Caer Caer Caer
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Festival d’Automne 2023 gets going
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Nach: Cellule
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Festival d’Automne 2023 part 2: The more the merrier
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Danse Élargie 2024
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Agnietė Lisičkinaitė: every protest starts with the body
Published from Odense
Published from London
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Beyond borders: Amit Lahav and Gecko
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Jefta van Dinther: Dark Field Analysis
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Favourite jumper: Igor & Moreno, Idiot-Syncrasy
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Ivo Dimchev: Som Faves
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London International Mime Festival 2019
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At work: Marie Cantenys
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Yukiko Masui / Léa Tirabasso
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Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo
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Crystal Pite/Jonathon Young: Revisor
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Strange times
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Dancing virtually into the London Film Festival
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Protein Dance: En Route
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The Dan Daw Show
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Embodied literature: an interview with Ben Duke
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Live and layered: London International Mime Festival 2022
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Lost Dog: A Tale of Two Cities
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Georgia Tegou & Michalis Theophanous: Reverie
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I is for International:
On programming dance from abroad
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Mime Time
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Léa Tirabasso: Starving Dingoes
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Is Marikiscrycrycry… a goner?
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Mohamed Toukabri: The Power (of) the Fragile
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Dancing (in the) City
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Via Katlehong Dance: Via Injabulo
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Under Dance Umbrella 2023
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Taiwan Festival London 2024
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‘What about 50 Over 50?’
Elixir Festival at Sadler’s Wells
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Simone Mousset: The Passion of Andrea 2
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Génération A Festival: Double Bill
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Kentaro Kujirai: U-BU-SU-NA
Published from Bristol
Published from Vitry-Sur-Seine
Published from Bergen
Published from Saint Petersburg
Published from Aberdeen
Published from Roubaix
Published from Kaohsiung
Published from Madrid
Published from Amsterdam
Published from Utrecht
Published from Olot
Published from Santarcangelo Di Romagna
Published from Edinburgh
Published from Stockholm
Published from Montemor-O-Novo
Published from Oslo
Published from Reggio Nell'Emilia
Published from Antwerpen
Published from Klagenfurt
Published from Prato
Published from Angoulême
Published from Rotterdam
Published from Rome
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Going forward to normal
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Dominio Pubblico: Senza Titolo Festival 2022
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Orbita – Rome’s contemporary dance season
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Fuori Programma Rome: focus on Israel
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Igor × Moreno: Karrasekare
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Salvo Lombardo/Chiasma: Sport
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Christos Papadopoulos: Mellowing
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Short Theatre 2023: Ante-mortem and posthumous choreographies
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Trespass to access: opening up for visual impairment
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Equilibrio Festival 2024, Rome
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Mette Ingvartsen: RUSH
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Catching dreams suspended in time
Published from Prague
Published from Basel
Published from Esch-Sur-Alzette
Published from Pantin
Published from Lugano
Published from Palermo
Published from Tallinn
Published from Kalamata
Published from Linz
Published from Munich
Published from Bassano Del Grappa
Published from Thessaloníki
Published from Dublin
Published from Taipei
Published from Cloughjordan
Published from Valencia
Published from Val-De-Marne
Published from Bologna
Published from Avignon
Published from Dro
Published from Venice
Published from Chaniá
Published from Varna
Published from Rovereto
Published from Almada
Published from Limassol
Published from Cagliari
Published from Montréal
Published from Zürich
Published from Mainz
Published from Sintra
Published from Montpellier
Published from Biarritz
Published from Toulouse
Published from Belgrade