Christos Papadopoulos, My Fierce Ignorant Step. © Pinelopi Gerasimou for Onassis Stegi

REVIEW

Christos Papadopoulos: My Fierce Ignorant Step

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Christos Papadopoulos, My Fierce Ignorant Step. © Pinelopi Gerasimou for Onassis Stegi
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A storming ensemble of ten dancers meets the escalating marching beats of music; together they shake the stage

What makes Christos Papadopoulos’ movement style distinct is his approach to ‘molecular’ embodied details: a dance-theatricality dedicated to minor gesture, but when transferred on bigger scale, it transforms into enchanting terrestrial moving entities, or could refer to natural movement phenomena. Far from being strictly minimalistic, his nuanced, subtle expressionism is one of strong impact, an exercise in repeatability and the rhythmic-spatial unfolding of choreography. His new piece My Fierce Ignorant Step, premiered in Onassis Stegi, is paved on these familiar grounds. Compared to his earlier works, it is built on a rigorous musical structure (here composed by Kornilios Selamsis) and brings movement in closer dialogue with musicality.

The piece has one key element: unison between the ten dancers (though Georgios Kotsifakis and Sotiria Koutsopetrou sparkle with a touch of alluring finesse). It starts with subtle beats, each corresponding to a body part: step, head, shoulder in a rhythmical circular pattern, like ticking to the mechanical repetitive sound. You could also take it as an atypical warm-up, a chance to observe each individual before their dance turns into a doodle. All ten dancers wear a fierce look on their face, a sort of Jets-meet-Sharks for the first time, a stage-gang with a touch of weekday fashion. Steadily, more music instruments are incorporated into the composition (cymbals, piano etc), and accordingly, more movements accumulated in the choreographic sequence, proposing a physically jubilant response to the music elements that escalate into a fully-blown composition. Eventually, you can’t but think of Ravel’s Boléro, especially towards the last part where the breathing chorale joins forces with the Bach trumpet.

The choreography is enlivened by aperçus of Jerome Robbins’ sneaker ballet, with stomping, fast crossing diagonals, abrupt shifts and dancers periodically turning their back to the audience, so that you refresh your gaze or focus differently on group dynamics. You might even capture snippets of subtle personal touches to a sexy ripple or a shaking of the hips. The balanced lightning design by Stefanos Drousiotis accentuates clarity but won’t deprive you of a splash of colour, when rhythm and dance march together in unparalleled heights. My Fierce Ignorant Step is after all about the jovial sharing of group energy, a metaphor for communal rejoicing under a triumphant music score.

The bottom line: Comparable to a contemporary Boléro, My Fierce Ignorant Step is a piece on the accumulative effect of joy
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10.05.25 Onassis Stegi, Athens, Greece
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Concept & choreography: Christos Papadopoulos
Dancing and collaborating: Themis Andreoulaki, Maria Bregianni, Amalia Kosma, Georgios Kotsifakis, Sotiria Koutsopetrou, Tasos Nikas, Ioanna Paraskevopoulou, Danae Pazirgiannidi, Spyros Ntogas, Adonis Vais
Dramaturgy consultant: Alexandros Mistriotis
Original music: Kornilios Selamsis
Associate composer: Jeph Vanger
Set design: Clio Boboti
Costumes design: Maria Panourgia
Lighting design: Stefanos Drousiotis
Vocal training: Apostolis Psichramis
Assistant to the choreographer: Sevasti Zafeira
Coordination and line production: Zoe Mouschi – Rena Andreadaki
Tour lighting head: Alexandros Mavridis
Tour set manager: Marilena Kalaitzantonaki & Aggeliki Vasilopoulou-Kampitsi
Sound engineer: Kostis Pavlopoulos
Tour manager: Konstantina Papadopoulou
A project by Christos Papadopoulos // The Lion and the Wolf
Special thanks to: Euripides Laskaridis, Sotiris Melanos and Filanthi Bougatsou
Commissioned & produced by: Onassis Stegi
With the support of: Dance Reflections by Van Cleef & Arpels
Co-producers: Théâtre de la Ville – Paris (France), Julidans (Netherlands), Romaeuropa Festival (Italy), Théâtre d’Orléans / Scène nationale (France), Lac Lugano Arte e Cultura (Switzerland), December Dance Concertgebouw Brugge (Belgium), One Dance Festival (Bulgaria), Festival de Marseille (France), I Teatri di Reggio Emilia (Italy)

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