advancing european dance
review
Marco da Silva Ferreira & João Pais Filipe: Terra Cobre
Unusual connections between Portuguese cow-herding traditions and contemporary aesthetics
review
Highlights from Roma Europa Festival 2024
Deserts, flesh, flowers and budding new artists at Rome’s expansive festival
review
Claire Cunningham: Songs of the Wayfarer
Navigating your own self, space and time while making space and time for others alongside
review
Brat autumn: Iridescent Festival Bucharest 2024
Queer revolution, performance as lab experiment, and breaking the internet at Romania’s festival of contemporary dance ‘and other reconfigurations of the sensible’
review
Hungry Sharks: Destination FCKD
Playing around with non-player characters leads to… Destination FCKD?
review
Kentaro Kujirai: U-BU-SU-NA
A world premiere for a Butoh performance that arises from the conflicts and co-existence of past and present
article
Springback Assembly 2024: Budapest
Springback writers gathered for an Assembly in Budapest, Hungary, with visits, workshops and two guiding themes: politics, and translation. We collated the resulting reflections into a special supplement.
review
Bojana Robinson: Machine
An ascetic duet for mother and machine – both performing with brain and heart
review
CODA Festival Oslo: dance connects us
Connecting us through fire, rain, blood, haircuts – and big jumps
review, article
Three choreographers from Onassis Stegi at B.Motion 2024
Ioanna Paraskevopoulou, Chara Kotsali and Elena Antoniou charge artistic creation with personal and feminist resonances
article
Agnietė Lisičkinaitė: every protest starts with the body
Lithuanian choreographer Agnietė Lisičkinaitė locate her work at the crossover between art and activism, dancing and demonstrating – and going from black and white to grey
article
Catching dreams suspended in time
A conversation with Adriana Borriello and Thierry De Mey about interweaving sound and motion, rationality and spirituality
review, article
Getting cosy at Amsterdam Fringe Festival
What’s cosy about an octopus? Submerge yourself in the Amsterdam Fringe Festival to find out…
review
Mette Ingvartsen: RUSH
A retrospective in a ‘rush’ becomes a skilful and yet intimate reenactment that connects past and present
review
Samir Kennedy: The Aching
Inviting ghosts to the party, Samir Kennedy’s sweet solo requiem subtly blends loss, hope and desire
review
Le temps d’aimer la danse – Biarritz 2024
Loving dance is a matter of time – and place – at the Biarritz festival’s 34th edition
review
Exploring the Tanz im August archipelago
Pick your own route as three writers navigate nine performances from Berlin’s long, wide and varied Tanz im August festival
article
Xenia Koghilaki finds solidarity within brutality
Through the eyes of Xenia Koghilaki, the punkish practices of headbanging and moshing are less violent than they seem
review, article
ImPulsTanz 2024 #2: shock and awe
Surface impressions and deeper impacts felt at Vienna’s annual cornucopia of performances
review, article
ImPulsTanz 2024 #1: dancers that touch you
Spaces, structures, bare skin, body mechanics and even hilarity at Vienna’s vast ImPulsTanz Festival
review
Snips from the 2024 Edinburgh Fringe
Works by choreographers from Belgium, Scotland, Denmark, Spain and Italy in a quick dip at the 2024 Edinburgh Fringe
review
Athens Epidaurus Festival: a selection of styles by Greek dance artists
Stars, rockets, moonwalks, balloon farts and noisy shit… five world premieres and one national premiere by Greek artists range far and wide at Athens Epidaurus Festival
review, article
Building on dance & architecture: Lugano Dance Project 2024
The second edition of Lugano Dance Project brought location, site and architecture into focus
review, article
Avignon: where sweating, schmoozing and cringe collide
It’s all quite a performance at Avignon, with its IN and OFF festivals, its dancers and its audiences – including our writer, Robin Lamothe
review, article
Brazil in Holland, 2024
Brazilian performance coursed through the Holland Festival this year, a river of many currents…
review, article
Montpellier Danse 2024
Dance artists from all over Europe and beyond settle in the Agora – International City of Dance for a historic summer festival
article
In defence of continuity: the Duncan Dance Research Center
The losses of community and continuity faced by Athens’ Duncan Dance Research Center are all too familiar stories for dance artists – but the struggle continues, for the sake of both past and future
review
Génération A Festival: Double Bill
A window onto an ongoing exchange project between dance artists in Africa and in Europe
review, article
Danse Élargie 2024
Robin Lamothe digests 20 shows in a day at the biennale competition for new choreography – so that you don’t have to
review, article
Purr, growl, rumble: Dansa València 2024
‘Sweet roaring’ promised this year’s Dansa València festival of national and international dance
article
‘Prison is a system that has to be shaken off’
Catarina Câmara on CORPOEMCADEIA
Can beauty be a form of resistance? Can dance transform people, systems? An ongoing prison project uses dance to explore both chains and changes
review
Simone Mousset: The Passion of Andrea 2
Part Passion Play, part Monty Python, a performance for a three-in-one trio of characters called Andrea
review, article
‘What about 50 Over 50?’
Elixir Festival at Sadler’s Wells
Two (relative) youngsters share their experiences of a festival for (relative) oldsters
article
Viewpoint: A case for purely live performances
Could the phenomenal rise of AI-generated media make us value live performance all the more?
review, article
Taiwan Festival London 2024
Tech, tailfeathers and tomatoes feature in the dance outings of London’s Taiwan Festival of contemporary arts
review
Euripides Laskaridis: Lapis Lazuli
In the latest of his surreal, anthropomorphic and monstrous masquerades, Laskaridis puts fear into the frame
article
Ici Commence La Mer
A three-day season on the sea explores the poetics of submerged perspectives
review
Moritz Ostruschnjak: Trailer Park
An energetic and unnervingly zeitgeisty work that both comes from and speaks to our age
review, article
Equilibrio Festival 2024, Rome
Sounding out the 18th edition of Rome’s Equilibrio dance festival
article
Trespass to access: opening up for visual impairment
A conversation with the creative team about how one performance has evolved as it opens out to visually impaired audiences
review, article
Swiss Dance Days 2024
Walking between the Fra-Gi-Le, the absurd, the (un)dressy and the obscene – a weekend at the 12th edition of Swiss Dance Days
review, article
Onassis Dance Days 2024: The echo of bodies
Crashing, banging, balancing, fighting, remembering, existing – it’s a high-volume outing for Onassis Dance Days
review, article
Tanztage Berlin 2024: rites of hope and grief
What can – and do – the performances of Tanztage Berlin offer, against our backdrop of escalating social and political tensions?
article
Dance+: Poor Things
Two takes on a cinematic dance scene that is simultaneously strange and mighty
review, article
Parcours Danse 2023, Montreal
How to ‘land’ at Parcours Danse? French writer Marie Pons takes her first steps at the long-running Montreal festival
review, article
Festival d’Automne 2023 part 2: The more the merrier
Echoes, dissonance and unison, exploring the stage as a group
review, article
From teenage girls’ songs to medieval saints’ torture at Moving in November, Helsinki
On the social, spiritual, mundane and existential realities of living in a female body
review, article
Short Theatre 2023: Ante-mortem and posthumous choreographies
Time and mortality take the stage at Rome’s Short Theatre festival
article
How to own (a) theatre
A standout performance at Budapest’s Sissi Autumn Dance Week gets very meta…
review, article
NID – New Italian Dance Platform 2023
Presenting a variety and abundance of the current Italian contemporary dance scene
review, article
Cyprus Choreography Platform 2023
On the background to and the performances in the 23rd edition of the Cyprus Choreography Platform
review
Christos Papadopoulos: Mellowing
A minimal yet mesmerising choreographic orchestration for mature dancers
review
Salvo Lombardo/Chiasma: Sport
Contact, combat and continuity in a ‘remediation’ of 19th-century spectacle
review
Festival d’Automne 2023 gets going
The Festival d’Automne, a Parisian melting pot ‘à consommer sans modération’
review
Igor × Moreno: Karrasekare
A minimal choreographic language enlivens the present with the past
review
Inês Pedruco: ShortCut
The body as a storyteller in a work inspired by a book of short stories
article
Marco da Silva Ferreira on Carcaça
The rising Portuguese choreographer talks about the background to his ‘mature’ work, Carcaça
article
Springback Assembly at Oriente Occidente 2023
Springback writers gathered for our annual Assembly at Oriente Occidente 2023 in Rovereto, Italy. We collated the resulting reflections, presentations and diaries into a special supplement.
review, article
Eyes on Tanz im August 2023
Two Springback writers took pot-luck at the big Berlin dance festival
review, article
Humans on the fringe
A dance-focused look at the Amsterdam Fringe Festival finds humans on the edge…
review, article
Edinburgh Fringe 2023: meshing interest with attendance
In contemporary dance, is the intellectually interesting also the entertainment wary? You never can tell…
article
Solène Weinachter – dancing before and after all
An interview with the French-born Scottish dance artist as she creates her first self-directed work
review, article
Moving Body Varna: on and off screen
A festival where the body moves fluently – and intimately – between stage, site, screen and headset
review, article
Dance Days Chania 2023:
The Conscious Body
Themes from the 13th edition of the international contemporary dance festival in the coastal town of Chania, Crete
review, article
ImPulsTanz 2023: past presence
The imprint of the past on the performance of the present, at the 40th edition of ImPulsTanz Vienna
review
Home and away at the Venice Dance Biennale
This year’s Italian and international commissions at the Venice Biennale contrast in almost every way
review
Chiara Bersani/corpoceleste: Sottobosco
A poetic other world is magically conjured from cloth, space, sound, bodies – and marshmallows
review
Dimitris Mytilinaios: Repair
A Greek work selected for international exposure is rich in ideas, whether as postmodern profusion, density of material or to fill a vacuum
review, article
Jam-packed:
a day at Les Hivernales’ On (y) danse aussi l’été !
Avignon’s national choreographic development centre distils styles and ambiences in its summer programme - on a daily basis
article
Out of the blues
Rosas dancer Carlos Garbin talks about becoming a Rosas musician in Anne Teresa De Keersmaeker’s new Exit Above
review
A bird’s-eye view at Kunstenfestivaldesarts 2023
A selection of performances from Brussels’ expansive Kunstenfestivaldesarts shows its stylistic and thematic range
review
Fuori Programma Rome: focus on Israel
How was the strand of performances from Israel at Rome’s Fuori Programma festival?
review
Mohamed Toukabri: The Power (of) the Fragile
Between mother and son, motherland and migration, this tender tale is moving – if not specifically so
review
Simona Bertozzi: Onde
Form undulates with flow in a sensorial choreography of imagination, evocation and presence
article
The wall and the circle
A European workshop on equity in dance prompts reflections on enclosure and inclusion, on insiders, outsiders, in-betweeners and go-betweeners
article
STHLM DANS: Curating outside the box
Talking about the big bang that opened STHLM festival in Stockholm – and about the act of talking about dance
review
Baro d’evel: Là
Impressive but also frail but also funny, a show that is a little human, a little animal and a little magical
review
Florentina Holzinger: Ophelia’s Got Talent
Beyond trivial and beyond tasteful… Holzinger rides again, through pop, schlock and Schiller
review, article
Queer Darlings 2023
An in-depth dive into the fourth and final edition of Berlin’s Queer Darlings festival
review, article
Is Marikiscrycrycry… a goner?
Both sides of the stage: audience member Georgia Howlett talks with creator and performer Malik Nashad Sharpe about their show Goner
review, article
End on a high: Dansa València 2023
Valencia’s long-running annual festival calls to dance, to rhythm – and finally to us
article
Orbita – Rome’s contemporary dance season
How a five-month season of dance in Rome is finding its niche within the city’s larger dance ecology
review, article
Another angle on Czech Dance Platform 2023
After Covid and the invasion of Ukraine, might contemporary dance be growing less self-obsessed?
review
An angle on Czech Dance Platform 2023
Emily May found herself watching Czech Dance Platform through a postmodern-ish American lens (just don’t tell her teenage self)
article
Local in Limerick
Local works paired with international ones on the stage of Dance Limerick’s What Next festival
article
‘What are these peripheral practices?’
Betina Panagiotara travels from the southeast to the northwest of Europe to find out what peripheral dance practices look like
review
Richard Mascherin: Caer Caer Caer
Falling, failing and the fates that befall us in Mascherin’s poetically staged physical fable
review
Léa Tirabasso: Starving Dingoes
The impacts of harrowing piece on the ‘science of programmed death’ are felt inside, outside and between our bodies
review
Side Step Festival Helsinki
Anna Kozonina journeys through an impressive programme but wonders why we keep caging dance in black boxes and white cubes
article
Dance+: Love, Death & Robots
Dance and rotoscope animation combine to stunning effect in the award-winning Netflix series
review
Mime Time
A newbie and a has-been take separate routes through the London International Mime Festival
article
Dance+: Don’t Worry Darling
The dark side of dance takes centre stage in Olivia Wilde’s tale of beauty and control
review
Nitsan Margaliot: Foresigns
A triple bill of duet encounters with mysteries that both captivate and mystify
article
Springback Assembly at Oktoberdans 22
Springback writers gathered for our annual Assembly at the Oktoberdans 2022 festival in Bergen, Norway. We collated the resulting reviews, presentations and diaries into a special supplement.
article
Slow motions through climates of change
Laughing, learning, touring and moving (slowly!) in the face of climate degradation – with Rita Marcalo’s Instant Dissidence
review
LEE\VAKULYA: Burnt [the eternal long now]
Dance work as material and metaphor for body labour and physical burnout
article
CODA 2022: movement research for every body?
Yasen Vasilev looks forwards and outwards from the main seminar at CODA 2022, on the theme of disability
article
CODA 2022: staging diversities
Towards a diversity of diversities at CODA Oslo International Dance Festival
review
CoisCéim Dance Theatre: Go to Blazes
A mix of live and VR performance in response to Joyce’s classic novel becomes a heady, scented experience
article
I is for International:
On programming dance from abroad
Lydia Wharf talks to Ellie Harris of London’s Greenwich & Docklands International Festival about the increasing challenges to international programming and co-operation
review
Adrienn Hód: Soft spot
In its (dis)association of word and action, Adrienn Hód's new work touches a primal fear – of the critic
review
Marianna Henriksson & Anna Mustonen: Eros
A singers, dancers and orchestra reach out in a meditation on the unreachability of desire
review
Georgia Tegou & Michalis Theophanous: Reverie
With its subconscious mysteries and fugitive feelings, Reverie is as much a ‘place’ as a ‘piece’
review
Eleonora Siarava: Blue Beyond
Time, space, light, cycles – Eleonora Siarava’s Blue Beyond is both cosmic and minimal
article
Oona through the ages
Oona Doherty ventures down new roads as London’s Dance Umbrella gives us a chance to look back at where she’s been
review
Mei Chen, Yannis Brissot: Very Tiny Little Drop of Wax
A curiously cryptic hybrid morphs into an echo of a singer’s unregretted life
review, article
Edinburgh by numbers
Róisín O’Brien figures a way round dance at the Edinburgh Festivals
review
Place of freedom? B.Motion 2022
In midsummer, the Italian city of Bassano del Grappa becomes a many-limbed festival of dancing
review, article
Paths through ImPulsTanz, part 2
Not just the sights but the sounds: Lena Megyeri continues her route through Vienna’s month-long ImPulsTanz festival
review, article
Paths through ImPulsTanz, part 1
Lena Megyeri looks at climate and memory in the first of two routes through Vienna’s sprawling ImPulsTanz festival
article
Dance+: Ex Machina
The unnerving AI disco dance in Alex Garland’s movie provokes ideas about dance, autopilot and self-programming
review, article
Tanzwerkstatt Europa 2022: gestures from the zeitgeist
Munich’s long-running, many-stranded Tanzwerkstatt Europa serves as a quality sample of what’s in the air of current contemporary dance
article
Ice Hot Nordic Dance: time to credit dance and controversy?
The big, well-organised Nordic dance platform returns with performances that are variously emotive, well-crafted, surreal and smartypants
review
Maija Hirvanen: Mesh
Humans within a more-than-human world – but does the idea outweigh the material?
review
Elle Sofe Sara: Vástádus eana – The answer is land
An audience gently transported from Berlin to Sápmi, to witness a performance of roots, reclamation and resilience
review
Ivo Dimchev: In Hell with Jesus
Dimchev’s entertainingly provocative song, dance and quiz-show sees six characters in search of a musical. Meta, much?
article
The Non-Fungible Body
A new performance festival moving between the ‘non-fungible’ or unique body and its digital reproductions and simulations
article
Kalamata International Dance Festival 2022
Beauties and realities mix and separate at the long-standing Greek dance festival
article
Baltic Dance Platform 2022: from intimate to social
Dance platforms may be designed for professional development, but the art itself is their lifeblood. Anna Kozonina takes its temperature at Baltic Dance Platform 2022
article
Presente Futuro 2022
A performing arts festival in Sicily that nurtures and rewards young artists – but is it enough?
article
Dominio Pubblico: Senza Titolo Festival 2022
Rome’s ‘untitled’ youth arts festival strikes chords with young people’s complex experiences of unentitlement
LISTEN
Czech Dance Platform 2022: two views
All of Czech Dance Platform 2022 in 40 minutes, divided into two viewpoints. With reflections on the disappearing dancer, sound & vision, eco-consciousness, plus touches of prog-rock, sci-fi, and a low-down on the final awards.
article
Danse Élargie: almost ridding dance of its borders
Who were the hits, also-rans and could-haves/should-haves at the international Danse Élargie competition for new choreography?
article
What makes a performance contemporary?
Three works at Kunstenfestivaldesarts in Brussels take forms that articulate complexities of the world today
review
Soa Ratsifandrihana: gr oo ve
A choreographic debut tunes music, movement and personal history
review
Nadia Beugré: L’Homme rare
Masculinities and spectatorships questioned up front and behind the back
review
Alice Ripoll: Lavagem
Buckets, cleaning cloths, soap and water become implements of joyous resistance
review, article
Cecilia Bengolea: La Danse des Éléments
Awakening connections between dance, art, industrialism and personal history
review
Noé Soulier, Thea Djordjadze, Karl Naegelen: First Memory
An artistic alliance configures everyday movement and moveable panels – to what end?
review
Cherish Menzo: Darkmatter
Dystopian poetry coming from other-worldly dark matter and black blood
article
Windows on Brussels Dance, 2022
A variety of glimpses on to Brussels dance through a window in March 2022
review
Schweigman& and DOX: Eros
Will chocolate and floral flavours in an industrial building form the gateway to a sisterly rite of passage?
review
Zsófia Tamara Vadas, Csaba Molnár, Imre Vass: Game Changer
Changing the rules of performance – while staying on the same pitch?
article
Dance+: La Grande Bellezza
The bump of lust and the grind of vacuity form ‘the great beauty’ that prefigures our times
article
A necessary transformation: the performing arts and VR in Taiwan
Covid and climate change have accelerated the creation of VR and performance hybrids, especially in Taiwan
article
Moving Colors youth dance festival
A youngster helps out our grownup at a Greek festival that asks how young audiences might respond to contemporary dance that’s not specifically made for them
article
Dance+: I’m Thinking of Ending Things
The dreamspaces of dance and narrative cinema coincide in the unreal romance of Charlie Kaufman’s film
article
Tanztage Berlin 2022: Hard times require hard dancing
Tomorrow is the question. How does dance move with and through the end of times?
review
Lost Dog: A Tale of Two Cities
Charles Dickens’ bulky, tangled tale boiled down to a soup of familial deception…
article
Swiss Dance Days 2022
The Swiss dance platform is a cocktail of art, culture and dance… but which mixes hit the spot for Charles A. Catherine?
article
Live and layered: London International Mime Festival 2022
Channelled online in last year’s edition, LIMF 2022 reopens its many-faced, multi-sensory playground of live communication
LISTEN
Isabelle Schad: practice, continuity and infinite limbs
An interview with German choreographer Isabelle Schad, known for large group works and for mixing Eastern philosophy with somatics and folk dance. Accompanying the audio is a fuller text edit of the interview.
article
Helsinki’s Moving in November: pasts, pleasures, projections
Anna Kozonina selects from and reflects on the latest edition of Helsinki’s long-standing international festival
article
Dance+
The splatter dance of Smac McCreanor
Splay, squash, splash, shatter… Smac McCreanor’s twisted replications of objects breaking under pressure are comic, relatable – and addictive
article
Embodied literature: an interview with Ben Duke
On blending literature, theatre and dance – Ben Duke talks about storytelling, embodiment and the classics
article
Certamen Coreográfico de Madrid: a chronicle from within
Jordi Ribot takes a look into and around the long-standing, many-armed Spanish choreography platform
translation
Interview: Mette Ingvartsen on The Dancing Public
Choreomanias, contagious movement and collectivity – Mette Ingvartsen delves into the background to her new solo
article
Keeping on track: a European culture trip by train
Can we opt for rail tracks instead of flight trails? Springback editor Sanjoy Roy gave it a go – and shares some practical and life lessons from the experience
review
Lia Rodrigues, body and soul
Based in a Rio favela and fêted in Paris, Lia Rodrigues brings different yet connected works to this year’s Festival d’Automne
article
CODA collection: four dances from Norway
A collection of four responses to four works at CODA Oslo International Dance Festival 2021
article
Dance+: Blow-Up
Blowing up the final scene of Antonioni’s notorious film to reveal the games of reality and representation
review
Silvia Gribaudi: Monjour
A troupe of men with hands for fig-leaves are ‘just for you’ in a performance that is both bittersweet and perplexing
article
Czech Dance Platform 2021
Lena Megyeri at the bumper edition of the Tanec Praha’s Czech Dance Platform
article
Dance+: Material Bodies
Accessories, prosthetics, props, extensions, constructions… Dorothy Allen-Pickard’s short film on the blur between materials and bodies
review
The Dan Daw Show
A Crip kink dance shows the linkage of liberation and constraint, the leashed and the unleashed – physically, erotically, socially, emotionally
article
A week at ImPulsTanz Vienna
To complement our snappy 1-line reviews of 26 ImPulsTanz shows, let Lena Megyeri be your in-depth guide to one week at the month-long festival
article
Edinburgh Festivals Diary, August 2021
Big arts festivals have been cautiously opening up to the public – but what is it like to be there? Róisín O’Brien sampled summer dance in Edinburgh…
article
Dance+: Another Round
In the marvellous finale of Thomas Vinterberg’s Another Round, a dance, not a drink, comes to fill a lack in our lives. Here are two takes on the scene, one on the merging of actor, character and movement, the other a close-up of the dance itself.
article
ImPulsTanz Vienna: one-sentence reviews
Twenty-six performances from ImPulsTanz Vienna 2021 – condensed into one sentence each
review
Protein Dance: En Route
An antidote to digital dislocation, guided experiences such as Protein's En Route reconnect us with place and presence
review
Isabelle Schad: Pieces and Elements / FUR
Slow, steady, serene – an open-air double bill by German choreographer Isabelle Schad
article
Going forward to normal
Italian choreographer Michele Di Stefano on curation, choreography and the possibility of a ‘new normal’ for dance
article
Strange Russian dances
What is happening in experimental choreography in Moscow and Saint Petersburg?
article
SPRING Festival Utrecht: ‘Seen live, with love, Jordi’
A letter to and two postcards from ‘test events’ for the reawakening of live performance
article
Skype, crutches and pleasurable glitches
Collaborators Tanja Erhart and Katharina Senk talk about multi-sensorial connection, technological pleasures and the aesthetics of access
article
The memeing of dance
Dance memes may be common, but few emerge from within the contemporary dance world. Enter Mr Felden Krisis…
review
Jan Martens: any attempt will end in crushed bodies and shattered bones
A stripped down but hyperkinetic composition invokes a collective will
review
Marion Darova & Martina Apostolova: WO MAN
Strict forms and unsettling imagery combine to dissolve gender identity
article
Dance+: Mulholland Drive
Dance can slip through the nets of convention and identity – just like the films of David Lynch
article
Dance classes through the screen
Springback experiences of what works (or doesn’t) as online class participants
review
Ann Van den Broek: Creating Joy
A polished kinetic, aural and videographic walk around joy, guided by Flemish choreographer Ann Van den Broek
article
Present futures
Going digital in 2020 has been a natural step for a festival founded to hybridise physical and virtual realms
LISTEN
Guest episode: dis[]tanz podcast
Observing and considering how a performance-protest in Athens came to inhabit both the real and the online worlds
review
Hamid Ben Mahi: Chronic(s) 2
Revisiting a work twenty years on, hip hop dance artist Hamid Ben Mahi finds that the fundamental things still apply, as time goes by
article
Beyond the visual: Johanna Hedva’s Minerva the Miscarriage of the Brain
As live arts migrate to the screen, Claire Lefèvre wonders whether a book might more fully register and reawaken the aura of live performance
article
Dance+: Permanent Vacation
Dance brings a moment of presence within the waking dream of a world adrift
LISTEN
Circulating artists, defunded infrastructures (audio)
Don’t just blame Covid for this crisis: restructuring the cultural field had already led to more artists and fewer resources
article
Circulating artists, defunded infrastructures
Don’t just blame Covid for this crisis: restructuring the cultural field had already led to more artists and fewer resources
review
Ultima Vez: Hands do not touch your precious Me
An online premiere from Wim Vandekeybus, Olivier de Sagazan and Charo Calvo that ventures into mythic worlds
article
Screening times
As Covid has brought screened dance and screendance into close proximity, four screendance curators look at the dynamics between them
LISTEN
Screening times (audio)
As Covid has brought screened dance and screendance into close proximity, four screendance curators look at the dynamics between them
review
Wanjiru Kamuyu, An Immigrant’s Story; Smaïl Kanouté, Never Twenty One
Edgy performances at the edge of Paris that take us beyond our own horizons
review
Teresa Vittucci, Michael Turinsky, Claire Vivianne Sobottke: We Bodies
We Bodies is an hour-long performative question on monsterhood, exorcism, domination, docility – and more
LISTEN
Life sentences: on reviewing and renewing (audio)
Can performance reviews escape from the sentences of the courtroom or the classroom, and live a little more?
article
Life sentences: on reviewing and renewing
Can performance reviews escape from the sentences of the courtroom or the classroom, and live a little more?
article
Visible and erased: the case of the ‘Alzheimer’s ballerina’
What does the viral video of a former dancer with Alzheimer’s disease suggest about the dancer, about disease, about us?
article
Dance+: Giri/Haji
The BBC/Netflix crime drama Giri/Haji is another sign of mainstream media turning to contemporary dance for inspiration and innovation
review
Adrien M & Claire B: Faire corps
A rapturous fusion of sensation and motion, imagination and engineering, and body with light
article
Marcos Morau: Sonoma, Surrealism and me
Threads of history – artistic, cultural, personal – lie beyond the exuberant images and costumes of Marcos Morau’s new work Sonoma
article
The leap into the abyss and the need to heal again
Anastasio Koukoutas spoke to some recent dance graduates to find out how they feel about their future, in the face of the coronavirus crisis
article
Dancing virtually into the London Film Festival
Alongside dance documentaries, the new LFF Expanded strand is taking steps into virtual dancing
article
Danser Brut – outsider dance
A wide ranging exhibition across two museums in Belgium affords fascinating visions of the idea of ‘outsider dance’
article
Dance+: Act of Love
Animal courtship dances transformed into human choreography by Russell Maliphant, to advertise condoms
article
kinkaleri: is it my world?
How a public relay by Italian group kinkaleri turns into a fruitful question: have we become estranged from the world we created?
article
Domokos Kovács & Petra Nagy: Do not feed the polar bears
Two Hungarian creators on their response to environmental questions in conception, production and performance of their latest work
article
Dance+: Moonrise Kingdom
In Wes Anderson’s 2012 film, two runaway pre-teens dance on the empty beach of an unknown land called love
article
To sit or not to sit? The question of movement direction
What do movement directors do? A new collection of interviews shines a light on an overlooked craft
review
Anne Teresa De Keersmaeker & Radouan Mriziga: 3ird5@w9rk
The intersection of nature with culture – a garden – forms the setting for a site-specific duet by Anne Teresa De Keersmaeker and Radouan Mriziga
review
Faye Driscoll: Guided Choreography for the Living and the Dead
Choreography through headphones, motionless performance within our heads, self-isolation and fantasy – Faye Driscoll’s ’audio choreography’ gets inside you
article
Talkabout: Urban dance languages at Peepshow Palace
A dialogue on content, context and tradition in urban dance at a corona-proof performance season in Amsterdam
article
Forward steps
Rather than longing for the past, some dance artists are using the pandemic crisis to imagine futures for performance
article
Local leads the way: Pelzverkehr Festival, Austria
The Covid crisis is shifting focus from the international to the regional – but festivals such as Pelzverkehr have already been there for years
article
Unknown waters: Berlin’s Tanz im August after Covid
Tanz im August director Virve Sutinen on rethinking the festival for post-pandemic times
article
Being together apart: the hollowing of the post-quarantine public
A public performance ‘practice’ in Athens responded to the coronavirus crisis – but did ‘The Crater’ rethink or recreate its underlying conditions?
article
Dance+: Protein synthesis – an epic on the cellular level
A mind-blowing, free-spirited dance film that is both scientifically exact and culturally far out
review
Peeping Tom: The Missing Door, The Lost Room
Works in mysterious ways: two pieces by Belgian physical theatre company Peeping Tom
review
Pere Faura: Rèquiem Nocturn
Pere Faura’s extravagant tribute to Bob Fosse mixes mortality with showbiz and mundane life
article
Sands of time: capturing Bausch’s Rite of Spring before lockdown
A rehearsal for a performance that never was: École des Sables’ version of Bausch’s Rite of Spring catches a moment in time
article
www DANCE: partying from IRL to URL
The mix of Covid, digital connectivity and our deep-felt human drive to dance together have reconfigured our dancing spaces
article
Dance+: Joker
A solitary dance becomes a rite of transformation in Todd Phillips’ 2019 Joker
article
The rise of the online dance class in lockdown
The offer, the reach and the uses of online dance classes are expanding during lockdown – and beyond?
article
Strange times
The coronavirus lockdown induces strange visions of our absence. Dance is an art of presence. Can we reconcile their values for the sake of the future?
article
A virus in the system
Covid-19 is prising reality from normality. What thoughts and feelings arise from this fissure for our Springback network?
article
New Choreographers Festival Athens
A Springback spinoff at the seventh New Choreographers Festival
article
Gaspar Noé: Climax
Gaspar Noé’s Climax is thrilling, stylish and harrowing. Its story is prefigured in the extraordinary opening dance scene
review
Crystal Pite/Jonathon Young: Revisor
A farce in the fog of post-truth, post-dramatic abstractions… Crystal Pite and Jonathon Young’s Revisor trails a string of questions
review
Daniel Linehan: sspeciess
Exploring co-existence and ‘becoming-with’, Daniel Linehan’s new group piece radiates radical softness
review
KDV Dance Ensemble: Las Casas Invisibles
A new company are the first contemporary dance show to headline at Berlin’s iconic electronic music venue Funkhaus
article
A stage in the gallery: Dimitris Papaioannou’s Sisyphus/Trans/Form
Dimitris Papaioannou’s first site-specific work for an art gallery, at Collezione Maramotti
article
On and off the platform: dunaPart5, Hungary
New voices at the Hungarian platform for performing arts – and new battles over state support and control
article
From company dancer to co-director to CODA: an interview with Stine Nilsen
Former co-director of Candoco (UK), Stine Nilsen returns to Norway as director of CODA Oslo International Dance Festival
review
Mårten Spångberg: 46
The advocate of ‘post-dance’ performs a solo – hashtagged #lonelyformalism – that reassembles his own choreographies
review
Jann Gallois: Samsara
All rise: choreographer, curtains, dancers and spirit ascend in a piece about worldly bondage and higher powers
article
The Continuous Network: capillary action of dance into galleries
A four-year UK collaboration between Siobhan Davies Dance and BALTIC Centre for Contemporary Art asks: why take dance into art galleries, and what can happen when you do?
article
Dance+: Dancing in the schoolyard
T-step on the tarmac? An innovative school principal goes viral with his plan to get kids moving
translation
PT19: On being, enduring and becoming the performing body
Controlling, uncovering and being the performer’s body, at the 2019 Portuguese Platform for Performing Arts
review
Hodworks & Unusual Symptoms: Coexist
Fearless performers brace themselves in a questing, questioning work by Hodworks (HU) and Theater Bremen (DE)
article
Moving audiences: the Montag Modus event series
Berlin curator Léna Szirmay-Kalos on developing new formats for showcasing performance outside the theatre
article
Postdancing in the dark
Posting from the POST-DANCE-ING conference in Stockholm 2019, Anna Kozonina asks: how did it work, what did it do?
article
Fringe cuts from Edinburgh 2019
A week of dance at the Edinburgh Fringe, as seen by Lena Megyeri at the 2019 NICritics programme for independent writers
article
Dance+: Kung Fu Hustle
Slick, stylish, violent… the Axe Gang in Stephen Chow’s Kung Fu Hustle know how to cut a figure on the dance floor – and off it…
review
Florentina Holzinger: TANZ, a sylphic reverie in stunts
Pitching witch against fairy, Florentina Holzinger’s TANZ bares the corporal discipline and punishment of romantic ballet through brutal parody and spectacular stunts
review
La Ribot / Dançando com a Diferença: Happy Island
You can see the trees on Happy Island. What about the wood?
article
New directions home? ImPulsTanz 2019
Lena Megyeri reflects on the crisis of objective in contemporary dance at Vienna's contemporary dance festival.
article
Radical empathy and real engagement: Take Me Somewhere 2019
Dance artists at Glasgow’s genre-crossing festival of experimental performance take you beyond performance itself
review
Gunilla Heilborn: The Wonderful and The Ordinary
A work in which the ordinary surpasses the wonderful leads to wonderings about words
review
Oona Doherty: Hard to be Soft – A Belfast Prayer
An attempt to heal the trauma of the collective Belfast body produces very mixed results
article
Slow and gentle: Santarcangelo Festival 2019
Performances at the 49th Santarcangelo Festival stir our sense of being and embodiment
article
Dance+: Happy Together
A tango scene in Wong Kar-wai’s Happy Together invites our hearts into the spaces between separation and togetherness, fiction and reality
article
Six of their sex: female dancemakers at ImPulsTanz 2019
A choreographic variety of women’s work at ImPulsTanz Vienna
article
Earth moves: contemporary roots at Sismògraf festival
The old made anew: three contemporary choreographers reworking folkloric heritage at Sismògraf Festival
article
Julidans NEXT, Amsterdam: performers steal the show
Julidans NEXT offers new opportunities for both artists and audiences
article
Vote for dance: Antistatic Festival 2019, Bulgaria
The 12th Antistatic Festival called a #VoteForDance – but how did the performances poll with our reviewer?
article
Hack me tender: Mette Ingvartsen’s Red Pieces
Orgies, utopias and joyful existence in Mette Ingvartsen’s Red Pieces
article
Dance+: The Favourite
In place and out of time: dance anachronisms in Yorgos Lanthimos’ The Favourite (2018) are part of a fickle world
article
Already there? An interview with Ginevra Panzetti & Enrico Ticconi
Italian choreographic duo Ginevra Panzetti and Enrico Ticconi on powerplay and physical rhetoric – past and present
article
SPRING Utrecht 2019: ‘In many ways, the future is already here’
Name it, hashtag it, experience it… The SPRING festival in Utrecht dives into dance, performance, installation, god, politics, gender – and the future
article
Dance+: Dogtooth
The distorting mirror of dance reflects an intimate reality of adolescent vulnerability in Dogtooth (2009)
review
Sofia Mavragani: Afterwords
Mouth movement makes for an intriguing choreographic experiment, but Anastasio Koukoutas doesn’t quite swallow it
article
Caught in the act of seeing
Look, then look again. Anastasio Koukoutas on altering visions in three contemporary dance pieces from Greece
review
Nicole Beutler Projects: 8: Metamorphoses
What’s the measure of a man? This performance questions what we are even measuring when we say ‘man’
article
Dance+: Echoes, Ode to Silence
Andres Arochi’s short film uses dance to revisit Luis Barragán’s masterpiece of modernist architecture
article
Rakete Festival 2019: from Mama to Mother Earth
At the intersections between the personal and the panoramic – a new generation of dance artists at the Rakete Festival, Vienna
article
Queer Darlings 2019, Sophiensaele Berlin
Camgirls and drag queens, chatrooms and cabaret: two surprising pieces from a festival of feminist and queer performance
review
Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo
An experiment in choreography and staging that is definitely ‘not flamenco’ – but neither is it something else
article
Imagetanz 2019
Up close and personal with a lot of orifices at Vienna’s 30th Imagetanz Festival
article
Dance+: La Joie de Vivre
Wedged between independence and genocide, a Cambodian dance scene shows that loving life is precious – and takes practice
WATCH
At work: Jesús Rubio Gamo
‘It was dance and music that saved me from loneliness.’ Spanish choreographer Jesús Rubio Gamo talks about the turning point that led to the creation of Gran Bolero (2019)
review
Jefta van Dinther: The Quiet
Quantum leaps in time… a mysterious world holds on to its secrets
review
Yukiko Masui / Léa Tirabasso
A double bill that contrasts mental anguish with physical recklessness
article
Trash aesthetic: Meet The Symptoms
What is waste? Who is trash? Réka Szabó and Dániel Szász of The Symptoms speak about recycling a street performance
article
Dance+: Luca Guadagnino’s Suspiria
Toil and trouble brews in a cavernous, covenous dance company
WATCH
At work: Marie Cantenys
‘The garment is not the outcome, the outcome is everything together.’ Fashion designer Marie Cantenys talks about working with dancer Maya Jilan Dong
article
London International Mime Festival 2019
Using language and losing language: Theatre Re, Gecko and Peeping Tom at the 2019 London International Mime Festival
article
Taiwan Dance Platform 2018
The 2018 Taiwan Dance Platform was ‘made in Asia’, but even more international in scope
article
Dance+: Joe Wright’s Anna Karenina
A pivotal scene in Joe Wright’s Anna Karenina is wordless, its drama of love, transgression and death distilled in dance
review
Jan Martens: Passing the Bechdel Test
Jan Martens’ choreography is a canvas that interweaves the action and speech of teenage performers with an impressive array of feminist texts, figures and thoughts
WATCH
At work: Bára Sigfúsdóttir
Icelandic choreographer Bára Sigfúsdóttir on working between reality and imagination
article
DanceLive Aberdeen, Scotland
Aberdeen’s DanceLive festival combines a productive dance platform and a conscious aim to connect with non-dance audiences
article
Dance+: Mauvais Sang
An intoxicating scene from Leos Carax’s Mauvais Sang embodies the headlong rush of youthful love and the mystery of its memory
article
Polyphony, playing and politics: the many voices of Sidi Larbi Cherkaoui
On voices, parts, and playing parts in the many-limbed choreography of Sidi Larbi Cherkaoui
article
Oktoberdans, Bergen: minorities dance for a majority audience
Two programmes at Scandinavia's largest dance platform navigate the exclusivity of an ‘inclusive’ mindset
article
Towards the ‘ironic spectator’
Apathy as activism: what has become of political art and a politicised audience?
review
Ivo Dimchev: Som Faves
A maniacal movement manifesto upends audience expectations in a one-off performance at London’s Chisenhale Dance Space
article
Dance+: Dead Poets Society
Show, don’t tell! A teacher’s lesson on conformity from an embodied perspective
article
Black and blue at Festival Les Plateaux
Choreographers Ana Pi and Calixto Neto take on ‘black dance’ on their own terms
article
Favourite jumper: Igor & Moreno, Idiot-Syncrasy
Caring but not careful – who knew an hour of jumping up and down would touch so many people in so many ways?
article
Down in one: the single-shot music video
On the appeal and the achievement of the one-shot music video
article
Dance+: American Psycho
Is that a raincoat or are you just glad to see me? Róisín O’Brien on the choreography of a murder
article
Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
Springback’s Berlin Three discuss patterns and parentage in two very different pieces at the Tanz im August season
article
Dansathon: an international dance hackathon
A report from the first ‘international dance hackathon’, a joint venture between Liège, London and Lyon that is more than just a competition
article
Tanz im August talkabout #1: Inoah (Bruno Beltrão) and R. OSA (Silvia Gribaudi)
Springback’s Berlin Three discuss body politics and national politics at the Tanz im August season
review
Jefta van Dinther: Dark Field Analysis
Two men embark on an expedition inside the body and beyond the mind, in Jefta van Dinther’s psychedelic Dark Field Analysis
article
Les Brigittines International Festival 2018
A many-layered thing: contrasting takeaways of our Springback writers at Les Brigittines, Brussels, reflect the genre-crossing styles of the festival itself
review
Michikazu Matsune: All Together
Recollection, reflection and re-enactment make for a memorable evening in Michikazu Matsune’s new piece about people both present and absent
article
Dance+: Little Miss Sunshine
For the win! Anna Kaszuba on why artlessness triumphs in the dance scene from ‘Little Miss Sunshine’
review
Rosas: The Six Brandenburg Concertos
A workbook choreographic exercise builds to a surprisingly exhilarating finale in Anne Teresa De Keersmaeker’s new Six Brandenburg Concertos
article
Shape of YouTube
Two widely viewed danceworks beg the questions: how does YouTube shape dance? And how do you shape YouTube?
article
[8:tension] at ImPulsTanz Vienna 2018
Don’t expect the new to be comfortable: the [8:tension] platform for new choreography is provocative, plural, sometimes tedious – and often out of the comfort zone
review
Jo Bannon: We Are F*cked
Doubt and disturbance come to a climax in Jo Bannon’s powerfully penetrating performance
article
Beyond borders: Amit Lahav and Gecko
Gecko’s Amit Lahav talks to Daniel Pitt about straddling genres, insularity and internationalism in British theatre – and being pummelled with love
article
Dance+: Dirty Dancing
Alexandra Gray on her first time watching Dirty Dancing – and why Baby’s first time on the dancefloor stays with her
review
Taneli Törmä: COVER – A symphonic poem in three movements
A merger of choreography and sound installation, Finnish artist Taneli Törmä’s COVER sensitively explores the kinaesthetic experience of sound.
review
Rocío Molina: Grito Pelao
They say that Mother knows best, but does she know how to turn that into a performance?
article
Danse Élargie 2018: big opportunities, bigger ambition
Beatboxing, b-boys, a beach and a balloon enlarge our concept of ‘dance’ in the fifth edition of the multi-disciplinary choreographic competition
article
Potsdamer Tanztageor: 3 × 3 = 8
When does 3 × 3 = 8? When our three reviewers go to three performances each at Berlin’s 2018 Potsdamer Tanztage festival
article
Bausch rebooted: Veza Fernández’s Wenn Auge Mund Wird
Vienna-based Veza Fernández refracts Bauschian Tanztheater through a contemporary prism
article
Dance+: A Girl Walks Home Alone at Night
Dancing home alone before going out to do what vampires do. Ka Bradley on a moment of dance in the movie A Girl Walks Home Alone At Night
article
Pietro Marullo’s WRECK: survival of the fittest in the age of austerity?
Pietro Marullo’s ‘elastic performance’ is a staging of the struggle to survive in a precarious environment – and an example of it.
review
Oona Doherty: Hope Hunt and the Ascension into Lazarus
A riveting portrait of the disadvantaged white male that meshes beauty with damnation
review
Katerina Andreou: BSTRD
Can a solo dance piece create, on stage, that much needed room of one’s own?
review
Timothy and the Things: Hunting (Vadászat)
Three men hunting – but for what, for whom, and why? Anna Dohy looks to the wider stage for answers
review
Jasna Vinovrški: Lady Justice
With witnesses, evidence and judgement – is a dance performance a bit of a trial?
review
Ligia Lewis: Minor Matter
Black matters in Minor Matter, a powerful encounter with the myriad concepts of blackness
article
How to like dance
Audience clubs are on the increase - why? Luke Forbes on his experience of a new workshop in Melbourne
article
The wilderness within
What happens when dance takes nature as its stage? A festival in the northernmost town in the world leads to a changed sense of self, culture and existence
translation
Christos Papadopoulos’s Opus: in search of the dialectics of music and movement
A textual exploration of a performative exploration in sound, meaning and time
LISTEN
Mònica Pagès watches Likes by Nùria Guiu
Classical music journalist Mònica Pagès sees a solo about the value of ‘likes’ in an age of social media. How was it for her?
article
The naked stage of Sanna Kekäläinen
Riikka Laakso on Finnish choreographer Sanna Kekäläinen, and the subversions and inversions of her 2017 piece Whorescope
review
Mette Ingvartsen: 21 pornographies
Assuming the position is at the heart of this physical exploration of erotica
review
Vero Cendoya: La Partida
Beautiful as dance can be, is it really any match for the beautiful game?
WATCH
At work: Meytal Blanaru
Brussels-based Israeli choreographer Meytal Blanaru on the workings behind her work
review
Arkadi Zaides: TALOS
Arkadi Zaides' detatched demonstration of surveillance, digital simulation and border infringements
review
Hodworks: Sunday
Hodworks’ Sunday begs the question: in the age of the selfie, what separates the person and the persona?